London, Brixton Academy, 29 October 2004. Two figures,
under dim lights, which obscure more than illuminate. One,
his jacket zippered up to his chin, eyes glaring
headlight-style at the distant balcony, slashes and
twitches in time to the rhythm of his guitar riffs. The
other, her raven hair matted over her face, sways and rocks
and thrashes along, incanting into her microphone the
sweetest seduction one moment, then untethered rage the
next. For one song, she sports a large floppy-brimmed hat.
Afterwards, she removes it.
This Anglo-American duo force you to engage deeply in their
music. Where most contemporary groups hit you with an
elaborately orchestrated reading of a song, attempting to
erect their own perfect castle in sound, The Kills reduce
rock & roll More...
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