Screeching Weasel Biography

Review The Artist (3)

Source: http://www.fatwreck.de/ukweasel.html
Screeching Weasel-photo
Screeching Weasel started in 1986, a few weeks after I saw the Ramones play. Mr. Jughead and I got together with a couple of future ex-band members and put together the derivative, cliched songs I’d been working on for a year. We played to crowds of three and five people inside dingy bars owned by men of questionable reputation. Our girlfriends were duly impressed and our performances were highly regarded by the soundmen of the greater Chicagoland area who always had a perfect line of vision to the stage, no matter what their location.

A demo tape was recorded in December of ‘86 and a month later, a local sucker approached us to do an album for his bedroom-based record label. Our self-titled album was released in the spring of 1987. 1,000 copies sold fairly quickly but the album was not to be reprinted by the label. We spent most of 1987 begging our friends to come see us play and experimenting with funny haircuts.

In 1988 we were drawing crowds of fifty and sometimes sixty people. Enter our second bassist. Our second album, BoogadaBoogadaBoogada!, was released in December. It sold better than the first one and we started getting cocky. In 1989 we started getting mail from other cities in these United States. Flustered by the attention (often we would receive as many as ten letters in a week) we set out on an ill-advised tour (the first one in 1988 having been only a minor disaster, we were convinced that our growing popularity among a handful of misguided, maladjusted youth would ensure that we would lose only a few hundred bucks). After we got a new bassist and drummer and recorded the Punkhouse EP, we hit the road. It hit back. Two months after limping home from the tour, we broke up. I still owe AT&T two hundred bucks.

We got back together in 1991 with our third drummer and fourth bassist. We recorded My Brain Hurts and received in the mail a piece of paper which until that point in our career had been a highly-debated rumor if not an outright myth - a royalty check. We sold a heck of a lot of records and got cocky again. We toured as little as possible in ‘91 and a little more in ‘92 with bassist #5. We only lost a small amount of money.

Bassist #6 checked in for the Wiggle album which was released in November of 1992. Heady with the success of our latest effort, we embarked on a six week tour. This tour was considered to be an unqualified success and still holds legendary status in the annals of Screeching Weasel history; we made four hundred dollars.

Bassist #7 (who was also bassist #3) took over for Anthem For A New Tomorrow which was released in the fall of 1993. We didn’t tour to support that album as our cockiness had given way to cynicism and bitterness brought on by, among other things, the realization that in our mid-twenties, we were now mired in the depths of middle-aged punkdom.

Bassist #8 came in to record the How To Make Enemies and Irritate People album in 1994. As soon as it was finished, we broke up again.

In 1996, bassist #7 (a.k.a. #3) came back into the fold and we recorded Bark Like A Dog. Pushing thirty, we realized that we simply had to prove that we could still keep pace with today’s hurly-burly world of punk rock. We had to show those crazy youngsters with their backwards baseball caps and internet computer programs that we still knew how to bop to the atomic beat. We had to suck in our guts, carefully comb our hair weaves and toss our collective hat back into the pop-punk ring. We had to keep paying the rent.

1998 rolled around. . .Rent has now transformed into the insidious institution known as a mortgage, hence the new Major Label Debut EP on our own Panic Button Records, and the even newer Television City Dream album on Fat Wreck Chords

You can stop reading now. . .Ben Weasel

Please click here to submit the latest Screeching Weasel biography

don't like it , don't listen to it | Reviewer: erik staub | 7/30/10

Screeching Weasel are one of the best bands ever. the ramones were obviously a major influence. which led to green day and bands of the like geting some influence from S.W. i do not like most gratefull dead songs...and most led zep songs, but the Beastie boys sure sampled the hell out of them. but i must have forgot "you can not like a band, if one of your favorite bands does not like them"(sarcasm) without weasel I (we) would be deprived of some of the best music ever. BEN please go on tour again, i will help and you would be surprised how many friends(people) we have in common! write back please!.............anyone.



What kind of fucktard even argues about this? | Reviewer: Anonymous | 10/22/08

Led zeppelin's the best! All my friends tell me soooo! All the magazines I buy say soooo! Jimmie Page is the best guitar player ever--all my friends say soooooo!

Good God...Ben Weasel hates Led Zeppelin. Big deal. I hate the Grateful Dead. Who cares? People have diff taste. One of my friends loves "the jam" I think 15 minute songs are boring. So what?

I think all you fuckers whining about Zeppelin's damaged honor or whatever need to get laid, start a band or committ suicide. Or whatever. Anything's better than arguing over two bands that split up. That reminds me...WTF am I doing here?



Fucking gay ass. | Reviewer: Lacie | 9/24/07

Screeching weasel is a great band, if you don't like them, don't listen to them, or hell! don't make shitty remarks.
Fuck your led zepplin and shit, i'd rather have the ramones and the clash.




The following area is only for review,
Your Name:
(Notes: Your name will be published if you input it)

Review about Screeching Weasel

Please enter a title for your review:

-------- 07/29/2014
Type your review in the space below: