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On October 10, 1969 the album 'In the Court of the Crimson King: An Observation by King Crimson' was released. Peter Townshend of The Who called it "an uncanny masterpiece". Rolling Stone thought it "pretentious" and Melody Maker said "It gives little idea of their true power on stage but still packs tremendous impact". The album's opening track, '21st Century Schizoid Man', burst through hi-fi stereo speakers with an avalanche of sound. Songs like 'Epitaph' and the album's title track employed heavy use of a keyboard instrument called the mellotron, which used pre-recorded tape loops of strings and woodwinds to create an orchestral effect. At this point in their history, the band consisted of Robert Fripp (guitar), Michael Giles (drums), Greg Lake (bass, voca More... (Submit New King Crimson Lyrics) (Submit New King Crimson Lyrics) oh my god | Reviewer: Moonshatd ------ About the song Islands performed by King Crimson just listen to the music, and you'll feel something new and relaxing.and that's the reason why Islands is a piece of great art..not bad,nor good..GREAT. Starless and this song are wonderful Innocents RAPED WITH NAPALM FIRE | Reviewer: Alex ------ About the song 21st CENTURY SCHIZOID MAN performed by King Crimson The fitting opener to King's Prog Rock gem, 'IN The Court Of The Crimson king' is a dizzing fever dream, full of rage, horror and bombast. In a disintegrating narration that sounds like a radio transmission from the planet Pluto, the lunacies of man are held up for our inspection (Politicians FUNERAL PYRE!.....Innocents RAPED WITH NAPLAM FIRE!!!!') practically daring the listener to disagree that the human race is a lost cause. In comparing the contrasting madness of man, '21st century Schizoid ' sounds like a computer caught in a self destructive loop, skipping ad nauseum like a fractured Discman until it runs itself into the ground with furious frustration....and is happy to do so. great | Reviewer: Alex ------ About the album In the Court of the Crimson King performed by King Crimson Probably too spacey and dated for most listeners but after discovering the child ditty side early Pink Floyd i eagerly picked up this album, another experimental capsule of its respective era, with that enigmatic cover of a shocked red cartoon face thats disturbingly similar to Edvard Much's 'The Scream'. After listening to the 5 epic length tracks in this album though i can't think of anything more appropriate to match the hard hitting atmosphere and theme of shattered disallusionment and ache to escape it all that pervades this work like a black cloud.Equal parts melancholy and fantasy escapism, 'King Crimson' launches their expression of lost innocence & stubborn retreat into fantasy as fairy tales, only the lyrics chillingly correspond to the general message of rude awakening & existential angst prevalent towards the conclusion of the sixites and the start of the 70s, with 'Eptiaph' in my uneducated opinion being the apex of the wallowing sorrow expresed here . '24th Century Schizo man' marks a pitch perfect entrance, a dizzying trip of song that sounds like a computer jammed in a self destructive loop as it tries to logically position the contradictory insanity of mankind side by side (Neuro surgeons SCREAMMMMM FOR MORE.....Inocence RAPED WITH NAPALM FIRE!!!!!)all furious drumbeats and disintigrating booming narration. "I Talk to the Wind" seems light and airy,resfreshing even coming after the bombast as it does, but is just as heartbreaking once you realize it just another cry of thwarted frustration and anger, like a case a massive repression in action ('I talk to the wind.....the wind cannot hear....) while 'Moonchild' takes the childish retreat into make believe to its uttmost prog rock extreme, strecthing on for a mind boggling 10 minutes of chimes and cymbals that will either infuriate the hell out of you with its pretention or completley enthrall . And finally, The finale 'In The Court of....' forces much into clarity,one last gob of spit in the eye, a loud, large but hauntingly empty conclusion that sees only charlatans and fools manning the faraway Kingdom, a technicolor minstrel's show in a corrupt,crumbling dreamscape. These aren't the maddening surrealist puzzles of say, Syd Barret, its a ominous & abstract without being too deliberatley inpenetrable, making it far more accessible for today (and troublingly, even more so in light of recent events) King Crimson - The first and greatest of the British Prog/Rock ensembles. | Reviewer: John Patrick Lennon ------ About the song EPITAPH performed by King Crimson King Crimson shocked the rock world in 1969 with it's "in your face" style of rock, including elements of modern, be-bop, and improvisational jazz, and, often-times, smashing the listener over the head with a sudden burst of "musique concrete". Epitaph, in a fashion of an almost elegilogical dirge, mixed with the poetic and prophetic lyrics of Peter Sinfield, alerts the listener to the bands' solid virtuosity, while awashing us with what for a while was, next to Fripp's 10,000 lb. guitar effects, King Crimson's signature instrument, the Mellotron. Classic, must have, in any library. jpl You could review the artist/band King Crimson in Biography page You could review King Crimson album by visiting Albums page and selecting an album You could review King Crimson song by clicking the song which you like | | ||||||||||
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