On October 10, 1969 the album 'In the Court of the Crimson
King: An Observation by King Crimson' was released. Peter
Townshend of The Who called it "an uncanny masterpiece".
Rolling Stone thought it "pretentious" and Melody Maker
said "It gives little idea of their true power on stage but
still packs tremendous impact". The album's opening track,
'21st Century Schizoid Man', burst through hi-fi stereo
speakers with an avalanche of sound. Songs like 'Epitaph'
and the album's title track employed heavy use of a
keyboard instrument called the mellotron, which used
pre-recorded tape loops of strings and woodwinds to create
an orchestral effect.
At this point in their history, the band consisted of
Robert Fripp (guitar), Michael Giles (drums), Greg Lake
(bass, voca More...
One of the greatest rock and roll songs ever written. It has it all...poetic lyrics, melody, a phenomenal drum line, and unbelievable harmony vocals. An album that set the stage, and bar for future bands in the genera of art rock, and included members that have played in, or with some of the greatest bands in history.
I'm a long time metal head, always have been ever since I first heard Black Sabbath at the neigbours place. But my true love was music as a whole, and especially the guiter.
I must have been about twelve when I first heard King Crimson. My uncle had a cassette of "Three of a Perfect Pair". It blew my mind. I had to have it. Things were being done that I'd never heard before! A few months later, at a garage sale I found "A Young Person's Guide to King Crimson". WOW. Here was everything from Epitaph and Cadence and Cascade to Red laid out for me. I think I wore down grooves in those records (it's a 2 LP set). This was a band to sink your teeth into.
King Crimson is one of those few bands that can actually teach you something by listening to it. You can learn about instrumental interactions and how to keep a piece moving along. It's hard to be "bored" with King Crimson. I often find people who say "Oh, I heard 'x' by them and I don't like them. Then I laugh, and laugh, and laugh... there is NO single piece that 'quantifies' King Crimson. You don't like "Red"? Try "Cadence and Cascade" or "Epitaph" or if you're more Occult in temperment then "Moonchild". Basically whether you want something hard, jazzy, soft, thoughtful or disharmonic, King Crimson can provide it for you. I don't think it's possible to hate all of it, it's too eclectic. It's also not easy to love all of it, especially if you're in love with modern musical trends. (Trends which they often make fun of like in "How to be Happy with what you have to be happy with".
King Crimson taught me never to be TOO repetative, to expand my horizons and to try new things musically. I may not like something like "Techno" but why not try my hand at it? Fripp of all people played in a Dance band! Explore, seek, try. Sure, things may come out that sound like a cat puking... but that might be useful somewhere as well :)
Keep it interesting, keep it fresh. If you had a hit album 20 years ago... it's still a great album, there's no reason to re-create it today. Try something new. If it fails.. it fails. If it works it will be great.
KC at their best | Reviewer: Anonymous
------ About the song One Time performed by King Crimson
I love this mystical song. I'd never heard it till I saw them perform it live. It rang in my head for days afterward till I figured out which CD to purchase. Great song a little known masterpiece!
oh my god | Reviewer: Moonshatd
------ About the song Islands performed by King Crimson
just listen to the music, and you'll feel something new and relaxing.and that's the reason why Islands is a piece of great art..not bad,nor good..GREAT. Starless and this song are wonderful
Innocents RAPED WITH NAPALM FIRE | Reviewer: Alex
------ About the song 21st CENTURY SCHIZOID MAN performed by King Crimson
The fitting opener to King's Prog Rock gem, 'IN The Court Of The Crimson king' is a dizzing fever dream, full of rage, horror and bombast.
In a disintegrating narration that sounds like a radio transmission from the planet Pluto, the lunacies of man are held up for our inspection (Politicians FUNERAL PYRE!.....Innocents RAPED WITH NAPLAM FIRE!!!!') practically daring the listener to disagree that the human race is a lost cause.
In comparing the contrasting madness of man, '21st century Schizoid ' sounds like a computer caught in a self destructive loop, skipping ad nauseum like a fractured Discman until it runs itself into the ground with furious frustration....and is happy to do so.
Probably too spacey and dated for most listeners
but after discovering the child ditty side early Pink Floyd i eagerly picked up this album, another experimental capsule of its respective era, with that enigmatic cover of a shocked red cartoon face thats disturbingly similar to Edvard Much's 'The Scream'.
After listening to the 5 epic length tracks in this album though i can't think of anything more appropriate to match the hard hitting atmosphere and theme of shattered disallusionment and ache to escape it all that pervades this work like a black cloud.Equal parts melancholy and fantasy escapism, 'King Crimson' launches their expression of lost innocence & stubborn retreat into fantasy as fairy tales, only the lyrics chillingly correspond to the general message of rude awakening & existential angst prevalent towards the conclusion of the sixites and the start of the 70s, with 'Eptiaph' in my uneducated opinion being the apex of the wallowing sorrow expresed here .
'24th Century Schizo man' marks a pitch perfect entrance, a dizzying trip of song that sounds like a computer jammed in a self destructive loop as it tries to logically position the contradictory insanity of mankind side by side (Neuro surgeons SCREAMMMMM FOR MORE.....Inocence RAPED WITH NAPALM FIRE!!!!!)all furious drumbeats and disintigrating booming narration.
"I Talk to the Wind" seems light and airy,resfreshing even coming after the bombast as it does, but is just as heartbreaking once you realize it just another cry of thwarted frustration and anger, like a case a massive repression in action ('I talk to the wind.....the wind cannot hear....) while 'Moonchild' takes the childish retreat into make believe to its uttmost prog rock extreme, strecthing on for a mind boggling 10 minutes of chimes and cymbals that will either infuriate the hell out of you with its pretention or completley enthrall .
And finally, The finale 'In The Court of....' forces much into clarity,one last gob of spit in the eye, a loud, large but hauntingly empty conclusion that sees only charlatans and fools manning the faraway Kingdom, a technicolor minstrel's show in a corrupt,crumbling dreamscape.
These aren't the maddening surrealist puzzles of say, Syd Barret, its a ominous & abstract without being too deliberatley inpenetrable, making it far more accessible for today (and troublingly, even more so in light of recent events)
King Crimson - The first and greatest of the British Prog/Rock ensembles. | Reviewer: John Patrick Lennon
------ About the song EPITAPH performed by King Crimson
King Crimson shocked the rock world in 1969 with it's "in your face" style of rock, including elements of modern, be-bop, and improvisational jazz, and, often-times, smashing the listener over the head with a sudden burst of "musique concrete". Epitaph, in a fashion of an almost elegilogical dirge, mixed with the poetic and prophetic lyrics of Peter Sinfield, alerts the listener to the bands' solid virtuosity, while awashing us with what for a while was, next to Fripp's 10,000 lb. guitar effects, King Crimson's signature instrument, the Mellotron. Classic, must have, in any library. jpl
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