Green Day Biography

Review The Artist (152)

Source: www.GDA.com
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Punk has been arranged and dragged so much, its aged prematurely. Bands have evolved and even died as its progressive strain mutates and grows. Being a genre so bratty, angst ridden, and fucked around, punk is a recycled phenomenon. Its infectious armour heals after a continuous battering. 1989 may have offered a revival, a medication to ease niggling pains. A band offered a drug with impact more potent than domestic painkillers. This trio offered their own formula, a concoction of highly fuelled shouts, layered with their own views.

1989 was the year were a certain venue housed a band on the road to future greatness and milestones. Gilman Street reeked of punk, sweat and promise. A modest starting point for bands to elevate and nurture together. To talk about their dreams, their analysis of Rock and Roll. Fans swapped stories of their times in Gilman, bands jumped and showered themselves in their faithfulls passion.
Sweet Children formed under the bright lights of Gilman, a band made up of bratty latch-key teenagers. Kids who mastered the art of rolling doobies and drinking beer. But music was a passion they all shared, a cause they could confide in. Gilman would become a lair they could showcase a musical intent, with fiery, ultra-angst songs that the crowd would relate to. Of course, Sweet Children weren’t a finished article; they were a band growing easily without sprouting beyond their years.

Lead singer/Song writer Billie Joe Armstrong was born into a family of modest workers; a home life with comfortable settings, his mother earned a living darting around Roy’s Hickory Pit, and his Father worked as driver for renowned brand ‘Safeway’. So life was fairly modest at the early age for an inspiring rock star. Billie became musical at a tender time, releasing his first record under fiat records when he was only five. His young vocal tone was a subtle reminder of his potential, but punk seemed a distant venture at that age. Vocally sweet and nostalgic, Billie became a star of epic proportion, it was just the commence. Billie didn’t suit the child star uprise, punk would stray him away from media scrutiny, it was a genre he would upgrade and innovate in years to come.

Bass Guitarist Mike Pritchard and drummer Al Kiffmeyer (Al Sobrante) would aid Armstrong on his Punk/Rock assault. Mike’s attributes as a guitar maestro offered a density to the band, diverse spark s of rawness and sound the act needed for progress. Al sobrante contributed flair and appeal on a scale the female species craved, he was a drummer on a mission to get laid, as so were the rest of the trio. Sweet Children were formed, and Gilman Street opened its palms to them. Sweet Children would later become Green Day, a name inspired by the bands relationship with weed. A substance so meaningful to them, it deserved an inclusion. Drug relation may have inspired the bands later gems.

But times change, minds alternate and band members split from the charge, and al Sobrante did just that. The drummer ventured into a college education when Green Day were still raw and under development, but will always be held in high esteem as the drummer who witnessed the commence of something special. The act hired a drummer with a fun infused aura they needed, humour goes far in Punk Music. Frank Edwin Wright 11 Aka (Tre Cool) filled the missing void, a stupendous drumming powerhouse who bolstered the bands quality factor, Green Day was fully fledged and ready to rise against the world.

By 1989, Green Day became a force. A respected pact in Gilman and in the fume of Berkeley. The crowd lapped up the rawness; inhaling the wisdom they were being served. Gilman was a cotton wool overcoat for Green Day, a stage that paid homage to them. Branching out of Gilman was on the cards, as the band released their first EP, 1039 Smooth in 1989 under Lookout records. Lookout records was an independent label founded by Musician Lawrence Livermore who spotted the band in its glory and later captured their signature.

1039 smooth later morphed into a fully classified track list. 1039 Smoothed Out Slappy Hours was a characteristic voyage for the outfit, a direction that was needed. A modest account of teenage life, a plot fuelled by angst, sexual neglection and suburban alienation. That was a viewpoint the band had on their home life, a viewpoint they and thousands of other teenagers tried to address. Music was the only suppressant, a pleasure button they could press without being disregarded. Green Day first outing was a success. 1039 was an instant slab of punk, simply coordinated and brash, but punk/rock isn’t supposed be clean and groomed. Lookout found a hidden gem, and that started to shine brighter.

Smoothed sounded mature, lyrically sound and exuberant. From the first pace of ‘At the Library’ to the rage and disapprovement ‘Of Why Do You Want Him’ Billie Joe’s vocals were raw, cranky, and radical, with a right tone of Punk. From the starting point Green Day ignited Rock, stating a new revolution and bratty music bloomed and once again became lively. With music so angst ridden it became the norm. Featuring their own account, their own Punk formula, and a musical trio served justice.

Green Day ventured again into the recording studio in 1991.,to develop their second lookout release. Kerplunk was on the radar, a album lying on the same lines as Smoothed. An album yet again reviewed their teenage growing pains, with songs overblown with young angst. Kerplunk soled thousands of copies making lookout a prime fortune as well building the labels reputation. ‘Christie Road, ‘Welcome to Paradise’ were all placed among Kerplunk’s armoury. Songs that showed songwriters emphasise of his own self awareness.

Green Day eventually outgrew Gilman, they had and unmatched lead in Punk/Rock by the early 90’s. The venue that housed the band on their crusade had quickly became out of favour. The band played their last show in front of a crowd that were there from the very beginning, witnessing the band nurture and evolve into a true fixture. 1993 reared its head quickly; and Green Day ended their stay with Lookout Records to venture into Major league status. Lookout was a great nurturing sector for the trio who were destined to hit scales other Lookout recruits could only dream of. By 1993 Green Day signed a lavish deal with Reprise. A Record label build by Warner Bros, the company who were true leaders in film. Green Day would agree to undertake the task of releasing 5 studio albums under the Major label. And the band wasted no time in contributing.

Green Day latched onto a genre like leeches prowling for blood. The Berkeley Trio’s innovation under the splitting lights of punk rock was prominent in why the 90s was such a wholesome decade, with music so angst ridden it became the norm. Featuring their own account, their own Punk formula, and the Berkeley trio served justice when 94 arrived. The band set the punk/Rock fuse alight with an array of fast-paced, in your face gems. Dookie would land in 1994, taking the act to distant angles in Rock. Bolstering their reputation of being the next darlings of Punk.

Dookie still harboured the same raw emotion and intent as prior records. It was just more homogenised, with more defined and professional input. Yet again the album’s content previewed the acts analysis of sexual disarray. Featuring an in depth look at Humdrum life, the desire to get laid as well a weed influence, would you expect any less? Dookie was an awesome leap forward in terms of maturity and wealth. The songs were 2.minute lashings of punk in all its glory. From the outset to the conclusion, fans were left over-awed and musically junkiified.

Dookie’s decisive inclusion elevated the band to a broader future. The tracks were of higher quality, with a silky vocal overlay. From the drum infused intro of ‘Burnout’ to the calming, soothing aftermath of ‘FOD’ of course still flew into loud-mouthed belter. ‘Welcome to Paradise’ was given a new sheen as it was to good to be shelved. ‘Basket Case’ would become an instant hit, a flamboyant analysis of insanity. Overall, Dookie was a milestone, and it was only Green Day’s third full length album, that showed class. Dookie was conceived as the next great album after Nirvana’s masterpiece never mind. It took the band to sufficient places, making the act 10 million sellers. Dookie would later be praised gold, and be acclaimed by artists and critics alike.

1995 would be the year insomnia reeked havoc. Green Day took a spell out of the fast-paced train ride of punk, by becoming family men. Billie Joe was granted father-ship, so his rock star charge was put on a back-burner. The band needed a record to match or even overtake Dookie’s groundbreaking stance as their elevator to true punk/rock prominence, and an album influenced by sleepless nights would become the challenger. With a dark overtone, insomniac was released in late 95. An overbearing urge to get noticed again was put in remission; insomniac may have been a dampener as couldn’t quite aim high enough. Not as fundamental or glittering as Dookie, but Musician’s mature.

Dookie spoke of teenage growing pains, masturbation, weed, and humdrum suburbia. Insomniac spoke of family values, as the band entered new places. All though insomniac wasn’t a consistent inspiration as the masterpiece that cemented Green Day, the album had its fair share of jewels. Opening with slickness, ‘Armatage Shanks’ starts a healthy track list. Billie Joe writes about a mindset engulfed with dread and self-disregard. The singer enters a darker world, maturing heavily when bellowing out insomniac’s profound content. The catchy ‘Stuck with me’ has a Dookie influence, not sticking to insomniac’s deep tone. ‘Geek Stink Breath’ quirky intro settles into a belter that beds into the mind, insomniacs has a knack of achieving such things. A song discussing the consequences of Crystal Meth, a substance that’s ridden in America’s drug underworld. Insomniac’s growth misses a few inches. As follow up albums go, it’s half-measured, and half-inspiring as Dookie. But still packed enough classics to keep the fans craving another slice.

Insomniac sells where heavily inferior to that of Dookie’s. The band only shifted 5 million copies, still a hefty margin, but disappointing considering prior achievements. If it was only a basic poster boy band that earned sales of that magnitude, then the World would sit and take notice, but Green Day is a special band, and special bands should top statistics and learn from media scrutiny. Fans argued and shared their thoughts on Insomniac; some even stated that it outclassed Dookie, some called for its execution, that’s how stern Music followers can be. Green Day then took a break from the overhaul of Music’s stronghold as two years passed without a sound.
In 1997, Green Day burrowed out of hibernation with 4th instalment Nimrod. A layered album breaching the darkness, and fierce undertone of Insomniac. Green Day was entering modern times, music angled towards pop/punk. Music was changing, alternating under the noses of a band that kick-started revolutions when music really mattered.

Nimrod was a contrasting barrier, free-flowing with centrepiece classics. Deeply melodic, Green Day showed a softer approach to punk. Battling off manufactured bands that tried to overtake and steal the Berkeley Trio’s crown, Green Day fought and won with no blood shed. Nimrod elegance was a factor of the bands maturity. They weren’t teenage outcasts anymore; they were adults, a band growing old gracefully. Nimrod was that of grace, in sound and in motive. Dookie had no influence in Nimrod’s charge for glory. From the outset melody becomes apparent; the cranky, strewn sound is replaced by a more defined, earthy feel. Not to say that nimrod is cowardly or a watered down anti-punk cause, it is punk, just with a prettier face.

The commence sounds pure Green Day, ‘Nice Guys Finish Last’ bolsters the album intent of Green Day not letting their guard down, nimrod still had a enough beefy tracks to accompany the melodic verve. Billie Joe’s vocal work is precise; his voice seems to improve as the album progresses. A prominent factor in ‘Scattered’ an invigorating input on the record. Armstrong expresses a love-struck innocence in his lyrical array. Green Day can talk about love-loss without tampering with musical values. ‘Hitchin a Ride’ sounds freakishly formidable, using a harp to open proceedings. One of the bands exhilarating pieces, it carefully builds to a screaming conclusion. Nimrod gains more clarity as melody bears all. ‘Good Riddance (Time of Life)’ delivers sentimentality and inspirational drive. Armstrong’s heartfelt lyrics pull ferociously at the heartstrings, purifying the ears of listeners who feel his vulnerability. A ballad with exceptional acoustic properties, a sound completely bright eyed and wisdom fuelled, could be Green Day’s finest?

Nimrod was modest in sales, but brilliantly enchanting. Serving a purpose for the band and punk as a whole, Green Day matured without cutting the throat of their routes. But For all of Green Day’s work, the Dookie ghost couldn’t be vanished. Those days were long gone as the band were growing up, becoming more safe. The 90’s conclusion was fast approaching; the millennium was on the horizon. Masturbation, weed, teenage angst was all pounced upon, addressed by an act trailing towards fresh lookouts.

The year 2000 reared its head. The World was ready for modern times to take place. Music was beginning to morph, grow an over-skin where generic bands could take shelter. Bands like Sum 41, Sugercult, yellowcard, were taking the reins as emo rock entered the race. A generic bunch of acts were emerging as Green Day analysed their situations as a band and as a unit. Was it worth it? For them to try patrol music once again, or was it safe for them to take a back seat. Of course they broke out, of course they jumped upon the bandwagon once again, and music depended on their inclusion. Berkeley’s prime assets came forward with ‘Warning’. A collection of brutal statements with underlays of political conflict. Green Day disapproved of America’s presidential appointment, and Warning would be the start to a feud that would progress beyond.

Warning was a different take on Punk, a marvel for Green Day to exploit their diversity. Written with a point to prove they were worthy enough in the latter stages. It was far from Dookie as Green Day could get, not a bad thing. But it still didn’t match the sheer flawlessness of 94s major breakthrough. Yeah it had a minor collection of treats like title track ‘Warning’ and the ferocious, high pitched crowd pleaser ‘Minority’ a track with political edges. Also a sense of subtlety in ‘Macy Day Parade’. But still no masterpiece. Green Day left a mark on the millennium. Maybe not much of an impact that their faithful expected, but Warning never lacked character, intent, or quality, it just didn’t match past efforts. The band however would undertake a new strategy; their next chapter would have a plot that would entice the harshest critic. Green Day released a greatest hits collection in 2001. A bundle of their honourable scores named ‘International Superhits’ Perceptions grew as the band was pressured under the microscope. Fans and critics alike became one; they fought of Green Day as a band who was ready to give up their musical crown. And how wrong they were.

Lengthy spells became Green Day’s forte; they are renowned for backing away from the spotlight. By 2004, America was war torn. A country swamped in a dark mist left from tragedy and turbulence. Presidential affairs were becoming ludicrous, a farce beyond calamity. Music was barricaded by MTV wannabes who cared more for look than musical contribution; it was a damaging time for the Worlds most powerful nation. A band build their own protest, carefully strung together a musical phenomenon, featuring a story, a rebel, and a whole load of impact.

Green Day released ‘American Idiot’ in September 2004. A masterpiece laced with bright shining gems and 9 minute plus sensations. The act wanted their viewpoint on their country addressed, and Music was the vital kick-start. American Idiot previewed alienation and humdrum suburbia, it analysed America’s lack of policy. Also it told the story of St Jimmy, a rejected, dejected rebel wandering the suburban boulevards in disarray. American Idiot was masterful in content and meaning, Green Day really struck a chord. American Idiot is a concept album, a rock opera surveying America for all its flaws. Its plot and story is enchanting and intriguing, its impact is miraculous. Lyrically Billie Joe writes from an inner deep sanctum, his mind absolutely runs riot on American Idiot. The album features songs that are dark, mysterious and heavily sentimental. From the start to the finish, the record is flawless.

American Idiot starts ferociously with self-titled track ‘American Idiot’ a real fuckoff attitude arises when the song progresses into a flavoursome chorus. The band adds their own scent to the political wave. American’s Idiots story becomes more profound with a 9 minute train-ride. ‘Jesus of Suburbia’ portrays the life of a rebel stuck in rut, living a life of severe dysfunction and self-loath. He walks the streets of suburbia alone, disarmed from every aspect of reality. His broken body barely hangs him together, he shivers in discontent, and he has no home. JOS musical properties are inventive and highly charged, Green Day certainly branch out their 3 chord comfort zones. Green Day is precise to every note, Mike Dirnt’s Guitar inclusion sounds pristine, the song becomes an obsession.

Next comes ‘Holiday’ the most articulate analysis of America’s political ruin, Armstrong speaks of his discontent of the presidential stronghold, or lack of it. Musically vibrant and lyrically immaculate ‘Holiday’ meets expectation. ‘Are We the Waiting’ mellows the euphoria that ‘Holiday’ dispossessed. St Jimmy seems to trail the streets in silence his life is burning down before his eyes; he lacks the will to wake up from his own nightmare. Green Day portray wonderfully how alienation can suffocate a persons self-motivation. The main character has his own song dedicated to him. St Jimmy blasts through the mellow sooths of ‘Are We the Waiting’ and enlightens the record like it was on fire. Boulevard of Broken Dreams is another memorable staple. A classic power ballad, with vocal tones that are beautifully orchestrated. St Jimmy still walks alone, misguided into a plight so profound he can’t discharge himself. His signified rage goes unaware; this story becomes appealing to the masses.

American Idiot pushed a band relying on a prized asset forward beyond expectation. Gaining new followers, becoming World beaters; it made them the biggest and most successful punk band off all time. All that from a trio who talked about teenage angst, sexual deprivation, weed and boredom. American Idiot reinstated Green Day’s prominence, it made them valuable again. Progressing them to more defined heights, it even outsold the masterful Dookie. From Gilman, to Arena’s, to Stadium Rock, they’ve made it look so damn effortless.

By Mark McConville

Thanks to markmcconvile@hotmail.co.uk for submitting the biography.

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Green Day | Reviewer: cherrypie25 | 1/2/13

The first time i heard the song " All The Small Things" I had to know who sang that song, i looked it up on youtube and ever since that day i feel in love with all the songs and Green Day

green day: my bands inspiration | Reviewer: daniel | 5/26/11

i got into green day about two years ago, the first song was 21 guns and immedietly, i was hooked. i fell in love with all their albums from 39/smooth to 21st century breakdown. if it wasnt for them, i would have never learned to play guitar and form a band. my three favorite songs are:#1. no one knows, #2. ha ha you're dead. and #3.longview. and although 21st century breakdown isnt their BEST album, its still a pretty damn good one. also unrelated you forgot to mention their albun shenanigans, which was relaesed a year after warning.

I will never quit Green Day | Reviewer: ben | 4/4/11

I love Green Day. They are the band that made me really have a passion for music. I love everything from Dookie to American Idiot, and they put on one of the greatest live shows ever. A Green Day concert is a show you must see before you die.
Now for the bad news:
Green Day's last record, 21st Century Breakdown, is garbage. The first couple of spins I thought it was pretty great, it was more ambitious than Idiot even. But after the novelty wore off, I realized there wasn't much in the way of real songwriting. It's like they spent three years coming up with piano intros and filling in the rest. Ambition is good, guys, but it's wasted without solid songwriting.
Anyway, all criticism aside, I wholeheartedly support Green Day no matter what. I look forward to their next release, which I will likely buy as soon as it comes out, and I can't wait to see them live again.

They are my HEROES! :) | Reviewer: Kristen | 2/13/11

I am 13 years old i have liked Green Day since i was about the age of 6. The first song i learned was boulavard of broken dreams it is really special to me! Green Day has been there since the beginning for me and hopefully through the end too. :) PEACE!

Um, WOW | Reviewer: Lisa | 3/12/10

Green Day is just a big WOW in the music industry. They are so amazing, that it's impossible not to like them. They're a bunch of bratty punks who came from 924 Gilman Street and are, right now, performing in stadiums and all over the freaking world. They are my idols. I can barely choose a favorite song from them, because all of them are so awesome. However, I do have to say that I prefer their old music over their new music. Although that is the truth, their new music certainly still sounds just fine the way it is. They are awesome, all-in-all. They are my favorite band of all time, and I am obsessed with them, as well as one of those fans who doesn't just idolize their music; I idolize them as human beings. They were born punks who went so far to get where they are right now, and that is the biggest inspirational story in music.

awesome | Reviewer: cam | 2/23/10

Green Day are the best punk band around i have six of there albums : American Idiot,21st century breakdown, insomaniac, dookie,nimrod and warning. my fav song is Hitchin' a ride and 21 guns. they are heros in music and im only 11 but love them. i can play east jesus knowhere and hitchin' a ride. ROCK ON GREEN DAY!
GD4EVA!

They are my idols!!! | Reviewer: Jess | 2/6/10

I look up to Green Day as my gods! They worked so hard and went through so hard times, just to get to where they are today. I agree that their old stuff is much better, but you have to agree that 21st Century Breakdown wasnt a COMPLETE ripoff, I dont regret the money I spent on it.
Their music sometimes helps me get through a really horrible day, and when I go to guitar lessons, I think of them, and it makes me work extra hard, because one day i would like to start my own band. Will I get far with it, who knows? But i am willing to work as hard as Green Day did. Billie, Mike, Tre, I LOVE YOU!!!

wow... | Reviewer: Julia | 2/2/10

why did you delet my beautiful comment ? hmm.. are you soo critical about peoples comments? wow worst website EVER! kay lets make a deal ohkay? howabout you guys let me comment andi wontbe rude ohkay?... so .... one thing..... I LOVE GREEENNNDDAAAYY BEST BAND EVER! (L) :) LOVE YOU WOOOOWHH!!!

-Julia <3's you ehm ehm this is also jacobs im his husband well wife kk byebye (L):) <3 im on his dont worry he lets me :) my best friend id morgan, and martha :)

bonjour | Reviewer: morgan | 2/2/10

heyyy PEOPLE i love my name MAGGIE I LOVE YLU ALL I LOVE MAGGI WHICH IS MEE HAHAHAHAH MUAHAHHAA JAJJJAJAJJAJAAJJAHJAHAJAHAJAHJAHA ,DIADKASMBSJFMSAFNMALSFASFDM., <---love maggie wheaton I WANT TO MARRY U GUYS! <3

luv jim | Reviewer: sanket | 1/11/10

its a completely underrated, yet very commercial these days. They've changed my being for the better, for 13 out of the 20 years theyve killed i can honestly say Green Day is one of the best bands ever conjured. I love you Green Day. i lo v ya lot

Dec 16th Rod Laver Arena Melb Australia | Reviewer: kylie | 12/26/09

BEST SHOW EVER!!!! And i have been going to concerts for 20 years (that im prepared to admit too).

Billie Joe had been suffering lets call it food poisoning the day before and had to cancel the show originally slated for the 15th and he STILL came out and gave a massive performance and anyone who has had gastro type illness will know how much thats saps your energy.

Was funny though.. at one point he asked about old Green Day and all these teens screamed and when they started with Coming Clean the so called die hards (renamed try hards) went deathly quiet... NOT A CLUE!!! Same for Going to Pasacquala.

For those who think theyre not punk.. you really need a music lesson..... and you also need to look into the Punk scene a bit more.... and see just what is labelled Punk... you might be surprised.

ANd if you still want to argue the point, let me just say as an exchange student in the early 90's, some of the best nights were spent watching this new band called Sweet Children play at Guillam Street ... especially the first night when they opened for Operation Ivy.... (oh and they do a cracking version of knowledge).

These guys worked damned hard to get where they are now... literally performing at people's houses in backyards all over the USA and Europe, touring dingy dives sometimes in front of 6 people sometimes 100. In Europe they had to borrow equipment to play everynight....and as for accomodation?? that was worked out as they went along.... peoples floors etc.... this is one hard working and deserving bunch of men, who have more than paid their dues.

If you dont like them fine, but please get your arguments sorted and at least have more to throw at them than "they arent punk' or "they suck"

meh | Reviewer: Anonymous | 12/19/09

Green Days awesome, but to put is bluntly, their new stuff is pretty shit. I like Christians Inferno though.
I like old Green Day.
I got both my brothers into Green Day.
Ones 13, the others 6.
The 6 year old walks around the house singing American Idiot and 21 Guns.
Ive taught him well.
GREEN DAYS AWESOME! :D

green day rock | Reviewer: Chloe | 11/14/09

Green day rock and it is wrong to be mean to them they are totally likeable I am Ten years old and I like them I have had fights with the people in my class who say that linken park are better than green day well their wrong and are idiots ( plus Billie joe is Hott )

best rock band that will ever be | Reviewer: Anonymous | 11/9/09

The first song that i've known that has come from Green Day was Good Ridounce.From that time on I was obsessed with Green Day i almost have every album thay have made.I will alaways like Green Day and Green Day will always be my favorite band.Right now I want to learn how to play the acustic guitar,when that times comes my first song WILL BE Good Ridounce.

all praise green day | Reviewer: rockin at 16 | 10/24/09

green day is probably one of the biggest inspirations to teenagers, adults, the hard working, all sorts!!! And the've definetly been a great inspiration to me!! I don't think i wud be playin the guitar or any instrument if it wasn't for them, GREEN DAY ROCK!!!!!!!!!!!!!!!
I bet in 10 yrs time they'll still be rockin our fucking socks off!!!!!!!!!!!!!!!!!!!!!!!!!


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