Dusty Springfield Biography

Review The Artist (3)

Dusty Springfield-photo
Mary Isabel Catherine Bernadette O'Brien
BORN: April 16, 1939, Hampstead, London, England
DIED: March 2, 1999

Britain's greatest pop diva, Dusty Springfield was also the finest white soul singer of her era, a performer of remarkable emotional resonance whose body of work spans the decades and their attendant musical transformations with a consistency and purity unmatched by any of her contemporaries; though a camp icon of glamourous excess in her towering beehive hairdo and panda-eye black mascara, the sultry intimacy and heartbreaking urgency of Springfield's voice transcended image and fashion, embracing everything from lushly-orchestrated pop to gritty R&B to disco with unparalleled sophistication and depth. She was born Mary O'Brien on April 16, 1939 and raised on an eclectic diet of classical music and jazz, coming to worship Peggy Lee; after completing her schooling she joined the Lana Sisters, a pop vocal trio which issued a few singles on Fontana before dissolving.

In 1960, upon teaming with her brother Dion and his friend Tim Feild in the folk trio the Springfields, O'Brien adopted the stage name Dusty Springfield; thanks to a series of hits including "Breakaway," "Bambino" and "Say I Won't Be There," the group was soon the U.K.'s best-selling act.

After the Springfields cracked the U.S. Top 20 in 1962 with "Silver Threads and Golden Needles," the group travelled stateside to record in Nashville, where exposure to the emerging American girl-group and Motown sounds impacted Dusty so profoundly that in 1963 she left the Springfields at the peak of their fame to pursue a solo career. Her first single, "I Only Want to Be with You," boasted a dramatic sound and soulful melody worthy of a Phil Spector hit, and it quickly reached the British Top Five; it also fell just shy of the Top Ten in the U.S., where it became the first major record from a U.K. act other than the Beatles since the Fab Four's launch of the British Invasion.

Her biggest American Top Ten hit, "Wishin' and Hopin'," was the first in a series of Springfield smashes from the pen of songwriters Burt Bacharach and Hal David; she would subsequently cover Bacharach/David classics including "Anyone Who Had a Heart" and "I Just Don't Know What to Do with Myself," surpassed only by Dionne Warwick as the finest interpreter of the duo's songs.

Additionally charting with hits including "Stay Awhile" and "All Cried Out," by the end of 1964 Springfield was arguably the biggest solo act in British pop, winning the first of four consecutive "Best Female Vocalist" honors in the NME; that same year, she also created a political furor after she was deported from South Africa for refusing to play in front of racially segregrated audiences.

Returning to England, in 1965 Springfield hosted the television special The Sound of Motown, a show widely credited with introducing the Sound of Young America to the their British counterparts, and continued racking up smashes like "Losing You," "Your Hurtin' Kinda Love" and "In the Middle of Nowhere; " in 1966, she scored her biggest international hit with the devastating ballad "You Don't Have to Say You Love Me," which topped the U.K. charts and reached the Top Five in the U.S. The soundalike "All I See Is You," another heartwrenching evocation of unrequited love, soon reached the British Top Ten as well; it was followed, however, by the Bacharach/David-penned "The Look of Love," a bossa nova-inflected classic positively radiating with dreamlike sensuousness.

By 1968, however, Springfield's commercial fortunes were on the decline -- in the wake of Sgt. Pepper and the Summer of Love, "girl singers" were now widely perceived as little more than fluff. In response, she signed to the American label Atlantic, travelling to Memphis to record with producers Jerry Wexler, Tom Dowd and Arif Mardin; the resulting album, issued in early 1969 as Dusty in Memphis, remains her masterpiece, a perfect marriage of pop and soul stunning in its emotional complexity and earthy beauty.

Although the classic single "Son of a Preacher Man" cracked the Top Ten on both sides of the pond, the album itself was nevertheless a commercial failure, as was its fine 1970 follow-up A Brand New Me, recorded in Philadephia with the input of the songwriting/production team of Kenny Gamble and Leon Huff. After completing 1972's See All Her Faces, Springfield relocated from London to New York City, eventually settling in Los Angeles; there she signed to ABC/Dunhill and recorded 1973's Cameo, another critical success which like its predecessors made virtually no impact on the charts.

A projected follow-up, Longings, was abandoned prior to its completion, and apart from singing backup on Anne Murray's Together album, Springfield spent the mid-1970s outside of music while battling substance abuse problems. She finally resurfaced in 1978 with the Roy Thomas Baker-produced It Begins Again..., followed a year later by Living Without Your Love; both attracted little notice, although the non-album single "Baby Blue" was a minor British hit in 1979.

Apart from a handful of soundtrack contributions, Springfield was silent until returning to London in 1982 to record White Heat, an album firmly grounded in the prevailing synth-pop sound of its times; again, despite good critical notices, a comeback failed to materialize. She would release just a handful of singles over the next few years, including the 1984 Spencer Davis duet "Private Number," the 1985 ballad "Sometimes Like Butterflies" and a 1987 collaboration with Richard Carpenter, "Something in Your Eyes," which became a minor success in the U.S.

Upon returning to California in 1987, Springfield was contacted to collaborate with techno-pop innovators the Pet Shop Boys on a duet titled "What Have I Done to Deserve This?" The single was a global blockbuster, peaking at number two in both the U.S. and the U.K., and it introduced her to a new generation of listeners; Pet Shop Boys Neil Tennant and Chris Lowe also agreed to produce a handful of tracks for 1990's Reputation, which became Springfield's best-selling new album since her Sixties-era peak. The follow-up, 1995's country-influenced A Very Fine Love, was recorded in Nashville; during sessions for the album, she was diagnosed with breast cancer, and after months of radiation therapy the illness was believed to be in remission. By the summer of 1996, however, the cancer had returned, and on March 2, 1999, Dusty Springfield died at the age of 59; just ten days later, she was inducted into the Rock and Roll Hall of Fame. ~ Jason Ankeny, All Music Guide

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The Greatest ever | Reviewer: Gordon Rees | 3/24/13

Without doubt the greatest female vocalist ever to sing. I close my eyes and count to ten and All I see is you are my favourites and I have attended many (Dusty Days')celebrating her birthday on the nearest Sunday to the 16th of April. This year is the 50th anniversary of her going solo. I am a Radio presenter on Hospital Radio and have her picture on the Studio wall and always play one of her tracks.I will be broadcasting on her birthday this year and she will be my "Artist of the week"

I close my eyes. | Reviewer: John Murphy | 4/11/12

I close my eyes and count to ten, I reheard, if you like, this song when I was out on my bike and listened to it a couple of times, then came home and down loaded the words on to itunes. It really is one of, in my opinion, the greatest songs ever written, Dusties voice is so emotional it makes the hairs on the back of my neck stand up when I listen to the catch in her voice as she asks her self is this really happening? Sadly missed, but without a doubt the greatest British singer of them all.


The sexiest voice | Reviewer: Connor Corkill | 10/6/09

Dusty Springfield has the greatest voice I have ever heard from Britain. She and Linda Ronstadt are my favorite of all time. Dusty's voice gives me "goosebumps" when I hear her sing. Unfortunately, the majority of her songs were not written very well. It's too bad she has passed on. I would have loved to have met her and if she would have sung some of my 300 original songs, she would have had more hits.


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