Harking is bonny and there lives my love
My heart lies on him and will not remove
It will not remove ohh for all that I have done
Ohh I never will forget me love Anachie
For Anachie Gordon he's bonny and he's rough
He'd entice any woman that ever he saw
He'd entice any woman and so he has done me
O I never will forget me love Anachie
Down came her father and he's standing by the door
Saying Jeannie your trying the tricks of a whore
You care nothing for a man who cares so very much for thee
You must marry Lord Sultan and leave Anachie
For Anachie Gordon he's barely but a man
Although he may be pretty but where are his lands
O the Sultan's lands are broad and his towers they are high
You must marry Lord Sultan and leave Anachie
With Anachie Gordon I'd beg for my bread
And before I'll marry Sultan it's gold to my head
With gold to my head and gowns fringed to the knee
And I'll die if I don't get me love Anachie
And you that are my parents to church you may me bring
But unto Lord Sultan I'll never bear a son
To a son or a daughter I'll never bow my knee
And I'll die if I don't get me love Anachie
Jeannie was married and from church she was brought home
And when she and her maidens so merry should have been
When she and her maidens so merry should have been
She went into her chamber, she cried all alone
Come to bed now Jeannie me honey and my sweet
For to style you my mistress it would be so sweet
Be it mistress or Jeannie it's all the same to me
But in your bed Lord Sultan I never will lie
And down came her father and he's spoken with reknown
Saying you that are her maidens go loosen off her gowns
But she fell down to the floor so close down by his knee
Saying father look I'm dying for me love Anachie
The day Jeannie married was the day that Jeannie died
And the day that young Anachie came home on the tide
And down came her maidens all wringing of their hands
Saying Lord it's been so long you've spent so long on the sands
Ohh so long on the sands, o so long upon the flood
They have married your Jeannie and now she lies dead.
You that are her maidens come take me by the hand
And take me to the chamber that me love she lies in
And he's kissed her cold lips 'til his heart has turned to stone
And he's died in the chamber that his love she lies in.
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Review about Anachie Gordon Love to sing Anachie | Reviewer: Kath Punchard | 3/27/09
One of my favourite songs to perform at a session.Sang it last night at an open mike session at Club Chesterfield where Paul and Steve on the mixing desk make you sound really good !I only know the Mary Black version.Must try to get Sinead O`Connor`s.
Like Carl Hoffman, I experienced instant engagement with this song when I first heard it on Australia's public network Radio National a year or so ago. I now have it on 'The Sharon Shannon Collection' and have been playing it over and over in the past week, marvelling each time at the remarkable expressive range of Sinead O'Connor's spine-tingling voice and doggedly trying to reproduce her virtuosity in the shower.
I wonder if Carl has discovered anything further about the history of the song. Personally I suspect the line:
'And before I'll marry Sultan it's gold to my head' should read: '..WITH gold to my head', otherwise it doesn't make sense, the sense being that she prefers to live in poverty with Anachie rather than marry Lord Sultan with all the trappings of wealth.
Absolutely stunning | Reviewer: Carl Hoffman | 2/4/06
I first heard Sinead O' Connor's version of this song a week ago today, while driving down a sunny street in Cleveland, Ohio, USA, listening to a college radio station. For the five or six minutes that the song played I was absolutely transfixed by the terrible sadness and beauty of the melody and lyrics, both of them given breathtaking life by the complete conviction w/ which O' Connor sang. It was a musical event like only a few others in my life--the day was transformed by the song. I felt different for hours afterward: touched by grace.
I say all this knowing that it's prime-even-stereotypical folk material, with an inaccessible lover, a stricken maiden, an unbending father, a forced marriage, melodramatic deaths. And I know that Mary Black is the one who introduced it to Sinead O' Connor, and that she also sings a terrific version of "Anachie Gordon."
But I want to know more. I've spent a couple hours this past week searching for information on the history of the song, and haven't found much. It sounds to me as if it dates from the 1600s or 1700s. Is it based on a real incident? Is there any tradition associated with the song's origins?
Can anyone out there fill me in on this?
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