It's November 1997, and Scottish-born Esra Tasasiz is
living in Brussels, holding down a full-time job and
hanging around a studio, singing on house records in her
spare time.
One day, a mutual friend introduces her to Pierre Mussche,
Ernst Meinrath and Renaud Charlier, collectively known as
Musicom - three professional studio boffins, crafting
tracks of electronic ambience and atmospheric, orchestral
hip-hop, as soundtracks for adverts and films.
The four strike up a professional relationship for the
purpose of recording a short, commercial piece of music,
but the chemistry is startling, and it quickly becomes
obvious that the tracks laid down in the sessions work
outside the confines of cinematography.
The four form Airlock, and the chill beauty of 'Dryst More...
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