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The Reviews about Line 'Em Up (page 1/1)
------ performed by James Taylor


One of James Taylor's best | Reviewer: Steve Borrow | 2/12/2008


Dear Editor,

You kindly published an earlier review I prepared of this. One of your reader contacted me and provided further insight, which has enable me to make some necessary changes to the original. I submit this in place of the original piece, which I trust you will remove:-
* * *

This is one of James Taylor's best songs in this fan’s humble opinion, and that is really saying something given his amazing catalogue. Like all great songs, it can be appreciated on a multiplicity of levels. It begins with JT remembering the disgraced Richard Nixon leaving the White House after Watergate and acting out a ritual with his staff. We get to appreciate JT’s perspective on this from the second verse, where he reflects upon his own self destructive behaviour: turning away from his loving kind just as Nixon had done, and smoldering in the embers of the false path he’d taken at that time. Is it a commentary on hubris – the loss of humility that can ultimately devour you? The repetition of the words “line ‘em up” seems to be a commentary on regimentation: square dances, picket fences, straight fields of corn, and queues of people going through the motions without emotion, game playing in conformity and squandering the miraculous gift of life. JT observes a life emptied of real love and feeling, conditioned to follow a straight, dubious path, and never venturing far from that “broken white line in the middle of the road”. He asks rhetorically, “who waits for you, lonely tired old toad?” Well, we know the answer: a line of actors completing the media spectacle. The reference to the “big moon landing” is explained by JT when performing the song on One Man Band. It’s inspiration comes from a mass wedding of 30,000 couples conducted the Rev Sun Myung Moon at RFK Stadium, Washington, on 29 November 1997 as part of a world wide wedding of 3.6 million couples. JT extends the “moon” pun, observing that each couple re-engages stepping into the “sun”. A mass produced wedding of this character, where the participants are lined up debases their individuality, and reduces the vow of love and commitment to a mechanical production line. There is a concrete link here as well. Rev Sun Moon gained international media attention when he supported Nixon after the Watergate exposure, urging Americans to “forgive, love and unite”. He, too, became immersed in scandal. This is a brilliant and moving song, full of pathos, and presented with great ear appeal



One of James Taylor's best | Reviewer: Steve Borrow | 1/26/2008

This is one of James Taylor's best songs in this fan’s humble opinion, and that is really saying something given his amazing catalogue. Like all great songs, it can be appreciated on a multiplicity of levels. It begins with JT remembering the disgraced Richard Nixon leaving the White House after Watergate and acting out a ritual with his staff. We get to appreciate JT’s perspective on this from the second verse, where he reflects upon his own self destructive behaviour: turning away from his loving kind just as Nixon had done, and smoldering in the embers of the false path he’d taken at that time. Is it a commentary on hubris – the loss of humility that can ultimately devour you? The repetition of the words “line ‘em up” seems to be a commentary on regimentation: square dances, picket fences, straight fields of corn, and queues of people going through the motions without emotion, game playing in conformity and squandering the miraculous gift of life. JT observes a life emptied of real love and feeling, conditioned to follow a straight, dubious path, and never venturing far from that “broken white line in the middle of the road”. He asks rhetorically, “who waits for you, lonely tired old toad?” Well, we know the answer: a line of actors completing the media spectacle. The reference to the moon landing seems clear enough. This is another great contemporaneous event recalled by JT featuring real heroes who had completed their brave conquest of space and, unlike the toad, have loved ones awaiting their return as they step into sunlight. It is to be remembered that toads don’t like sunlight very much, which suggests that sunlight is JT’s metaphor for a truly successful life. A brilliant and moving song, full of pathos, and presented with great ear appeal.



great song | Reviewer: allison | 11/14/2006

This song is awsome, I just saw him in concert last night and he rocked this song!




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